But there were conversations happening, say, in the evening. “That’s only when Michael was filming, or they were recording. Jackson was given 57 hours of footage and 140 hours of audio recording, but “you can’t even call that the truth,” he says. “The truth is a complicated concept, but I’ve tried to tell the story as accurately as possible,” Jackson says, adding that there’s a level of manipulation the minute a director makes a single edit. Time sort of collapsed reality and fiction.”ĭirector Peter Jackson watches 1969 footage of John Lennon in “The Beatles: Get Back.”ĭisney’s marketing campaign for the series, originally planned as a feature film, proclaims Jackson’s project finally tells the “real story.” But Jackson acknowledges that’s a slippery term. “Even today, Paul and Ringo think back to the 1969 sessions through a filter of ‘Let It Be’ in 1970, a time that was very contentious and upsetting for them.
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“It’s a weird case of memory and fact being warped by the events of the time,” Jackson says, adding that the Beatles’ memories of those sessions were shaped by the movie coming out just after their split. Jackson, who originally saw the movie years removed from that 1970 context, and who as a teen listened to bootlegs like “Hahst Az Sön” that revealed the pleasure the Beatles took in jamming together, agrees. Lindsay-Hogg says his film was “unfairly tarred” by the timing of its release. Now Peter Jackson’s seven-hour-plus docuseries “Get Back,” premiering Thursday on Disney+, aims to redirect the spotlight to the Beatles’ creative camaraderie and affectionate goofing that were the actual heart of those sessions. Lennon later called it “the most miserable session on Earth,” and McCartney said the film “showed how the breakup of a group works.” That disconnect between the perception and the reality of the “Get Back” sessions of early 1969 and its role in the band’s demise has lingered for half a century in the minds of fans - and the Beatles themselves. In truth, despite occasional bickering, the band spent the rest of the month developing and recording what would become the album “Let It Be,” while also rehearsing songs that landed on their final masterpiece, “Abbey Road,” and on solo albums by McCartney, Harrison and John Lennon. I wanted it in the movie because it was a true interaction but then suddenly it became, ‘That’s why they broke up.’” “I saw that as a discussion between artists having a small disagreement. “These were musicians knuckling down to work and having affectionate times and sometimes getting annoyed,” Lindsay-Hogg says. McCartney and Harrison’s exchange was one symbol of the collapse. The Beatles had just broken up, and Lindsay-Hogg’s footage was seen as a document of a band in the process of disintegrating. By the time Michael Lindsay-Hogg’s fly-on-the-wall film “Let It Be” was released in May 1970, however, the moment, and the film, looked very different. “Or I won’t play at all if you don’t want me to play.” “I’ll play, you know, whatever you want me to play,” Harrison said at one point. In early January 1969, as the Beatles tried to wrestle a new song, “Two of Us,” into shape, Paul McCartney and George Harrison fell into a debate about Harrison’s guitar part, one that echoed an argument they’d had the previous year while rehearsing “Hey Jude.”
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